Products, resources, and support for oboists of all ages and levels of ability

When Should I learn to Make Reeds?

I get this question quite often from students and parents alike.

There are many things to take into account when deciding whether or not you are ready to begin making reeds. Here are a few considerations:

1. Are you serious about being an oboist?

If you’re unsure if oboe is in your future, you may not want to take the plunge into reedmaking. Learning to make reeds is very time consuming, requires some money up-front (the going rate for a beginner’s reedmaking kit is approximately $100-$150), requires daily dedication to the craft, and can be incredibly frustrating. While learning to make reeds CAN save you lots of money, it will only do so in the long term. Many parents and students believe that once a student acquires a reedmaking kit, he will be able to easily fix and make his own reeds. Not quite. Reedmaking, like any other skill, is something that takes time and refinement. I often find reedmaking to be the deciding factor in whether my students continue on as oboists. Be prepared to be frustrated at times, and accept that the first hundred reeds you make probably won’t amount to anything.

2. Can you handle sharp objects without injury?

While you may laugh, this is a very serious consideration. Reedmkaing requires the use of razorblades, knives, and other sharp objects. If you’re accident prone or lack responsibility, you might just end up with stitches (I have been to the hospital twice myself with reedmaking injuries!) Make sure to use the utmost caution when working with sharp objects, and NEVER be in a rush.

If you think you can handle the above situations, then you’re probably ready. If not, that’s ok! Waiting a year or two to decide if you’re serious enough about it is a responsible choice. As we all know, oboe reeds can be bought virtually anywhere, and there are many companies (like us!) that specialize in handmade reeds. There is a trade-off in price, but many people find it a relief to not make their own reeds. If you find a company whose reeds you love, stick with it!

Stay tuned for more information on reeds….our next topic will address the specific qualities of a “good” oboe reed.


We’re Back!!

Have you missed us? From June 12-17, both Julie and Melissa attended the 1st annual MidWest Oboe Camp. We had a blast! There were 15 oboists in attendance, as well as 5 bassoonists. We had campers from as far away as Minnesota, Georgia, and North Carolina! Both Julie and Melissa served as instructors, along with Lisa Sayre and Robert and Bailey Sorton. Workshops included discussions on how and what to practice, improving tonguing speed and intonation, introduction to extended techniques (such as circular breathing and double and triple tonguing), demonstrations on the entire oboe family (musette, oboe, oboe d’amore, english horn, and bass oboe), and much more! Daily reedmaking workshops helped students learn the basics of reedmaking and develop their skills. The week ended with chamber performances from all students as well as an encore performance featuring all 20 oboists and bassoonists!

We hope you will consider joining us next year at beautiful Kenyon College in Gambier, Ohio for the 2012 MidWest Oboe Camp. If you’re closer to Georgia, also check out the 2012 Oxford Oboe Camp (a different branch of the same camp), located in Marietta, Georgia.

Pictures will be up soon!

Julie and Melissa